Film Language Tag: direct address
Communication that is explicitly indicated as being targeted at a current listener, reader, or viewer as an individual. In face-to-face interaction, this is when you are being spoken to or gestured at: signified by eye contact, the use of the word ‘you’, your name, or a pointing finger. In the case of television and photography, an example would be someone talking while looking into the camera lens, as if they were communicating directly with the current viewer. This mode of address is common for presenters in certain television genres: notably newscasters, weather forecasters, and chat-show hosts. It is only occasionally used in narratives, where such communication is extradiegetic; in such contexts this is typically a humorous device or an alienation effect. [Also known as metalepsis or, more colloquially, breaking the fourth wall]
9 Film Clips
Bang!, The Great Train Robbery
Barnes, the leader of the outlaws, shoots at the spectator.
Closing Sequence, Breathless
After Patricia reveals Michel's whereabouts to the police, Michel rejects his friend Berrutti's offer to help him escape and is shot.
Colosseum, The Conformist
Marcello realises Lino isn't dead when he finds him at the Colosseum.
Hannibal and Clarice Meet, The Silence of the Lambs
FBI trainee Clarice Starling visits the psychotic killer Hannibal Lecter in prison.
Opening Sequence, Breathless
Michel steals a car with the help of a female accomplice and then shoots a police officer to evade arrest.
Paola on the Beach, La Dolce Vita
Paola and Marcello attempt to communicate across the estuary at the beach, but he cannot understand her.
To Fort Lebanon, Moonrise Kingdom
The narrator gives a weather report on the upcoming storm as the Khaki Scouts row Suzy and Shakusky to Fort Lebanon.