Film Language Tag: freeze frame
A shot that replicates a stili photograph.The effect is achieved by printing a single frame many times in succession.
2046, In the Mood for Love
Mr. Chow (Tony Leung) and Mrs. Chan's (Maggie Cheung) relationship develops as they meet in a hotel room, number 2046.
A Credit to Your Race, Watermelon Man
Jeff (Godfrey Cambridge) is set to work as a black salesman working with black customers.
A Trip to the Seashore, Jules and Jim
Jules (Oskar Werner), Jim (Henri Serre) and Catherine (Jeanne Moreau) take a trip to the seashore, where Jules asks Catherine to marry him.
A Victim at the Racetrack, The Bird with the Crystal Plumage
The assailant stalks the 4th victim at the racetracks.
Cinema Looks at Itself, Man with a Movie Camera
Filmmaker Dziga Vertov shows Soviet citizens at work and the filmmaking process.
Closing Sequence, Symbiopsychotaxiplasm: Take One
The screen tests for William Greaves' (William Greaves) film "Over the Cliff" continue.
Closing Sequence, Butch Cassidy and the Sundance Kid
Butch (Paul Newman) and Sundance (Robert Redford) are holding out in a small store, trying to outlast the military that has come after them. The drawn-out shootout ends with both characters running out of the store, guns blazing, to ultimately be killed.
Closing Sequence, Close-Up
The real Makhmalbaf (Mohsen Makhmalbaf) picks up Sabzian (Hossain Sabzian) and gives him a ride to the Ahankhah residence.
Closing Sequence, Old Joy
Mark (Daniel London) drops off Kurt (Will Oldham), who wanders around the city at night.
Closing Sequence, The Story of a Three-Day Pass
Revoked of his promotion and restricted to base, Turner (Harry Baird) guides a group of touring African-American women led by Madame Abernathy (Trio French) through the camp.
Conductor 71 Revisits, A Matter of Life and Death
Conductor 71 (Marius Goring) returns to confirm Peter's (David Niven) appeal to remain alive and inform him about his trial.
Faye Richards, The Watermelon Woman
Cheryl (Cheryl Dunye) discovers the Watermelon Woman (Lisa Marie Bronson)'s name.
Hotel Daydreams, The Story of a Three-Day Pass
Turner (Harry Baird) and Miriam (Nicole Berger) daydream about each other in their hotel bed.
Kal Ho Naa Ho Opening Sequence, Kal Ho Naa Ho
The opening sequence voice-over, and the credits against the backdrop of New York work together to depict the city as a land of economic and romantic possibilities for non-resident Indian Naina (Preity Zinta).
Last Dance (Closing Sequence), Aftersun
Sophie (Frankie Corio) and Calum (Paul Mescal) dance to "Under Pressure." Sophie and Calum say goodbye at the airport. Adult Sophie (Celia Rowlson-Hall) embraces her father.
Nondirection and Direction, Symbiopsychotaxiplasm: Take One
Members of the crew have a discussion led by production manager Bob Rosen (Bob Rosen) and soundman Jonathan Gordon (Jonathan Gordon) over William Greaves' directing capabilities.
Opening Sequence, The Story of a Three-Day Pass
Turner (Harry Baird), an American G.I. stationed in France, receives a promotion and a three-day outing pass from his captain (Hal Brav).
Opening Sequence, Aftersun
Sophie (Frankie Corio) and her father Calum (Paul Mescal) go on a vacation to Turkey.
Opening Sequence, 8½
Guido (Marcello Mastroianni) dreams of himself escaping from a traffic jam and flying high in the sky.
Opening Sequence, The Watermelon Woman
Cheryl (Cheryl Dunye) and Tamara (Valarie Walker) record a wedding ceremony.
Sex with a Man, Go Fish
Daria (Anastasia Sharp) is interrogated in a dream by a group of women who argue she isn't a lesbian.
The Wild Bunch Opening Title Sequence, The Wild Bunch
A list of opening titles shown during freeze frames of a gang's lead-up to a bank robbery.
The Wilkinson Foundation, The Bird with the Crystal Plumage
Sam collects his paycheck and heads back to his apartment.
